Collapse Board Whatever happened to the music press?

Interviews

An interview with Marlene Marder of Kleenex/LiLiPUT

Q: What do you recall from your first ever Kleenex gig? A: Very funny - a good party. We played our four songs - over and over again!…

Thoughts on Music Promotion and Production in Brisbane: or Why Can’t Brisbane Get a Leg-Up?

"What does it say about a place when the cultural capital you’re producing is fucking I Heart Hiroshima. That’s unacceptable."…

The Collapse Board interview: Beth Murphy (Times New Viking)

Going into CD-R, we had this analogue mantra ... no computers, no computers! …

Andrew McMillen on interviews (Ed’s note: mandatory reading for any media student)

Treat every interview as if it’s the most important thing in the world, just for that 15 minutes or half hour or hour, even if it’s not. Boring interviews are still boring on paper.…

Interview with Giordana Caputo – 4zzzfm

They’re not working for a bureaucracy. They’re not working within guidelines. The idea at 4zzz is that you can create whatever you want and I think that’s a really exciting concept…

A Conversation With Yannis Philippakis of Foals, 2010

By Andrew McMillen I interviewed Yannis Philippakis [pictured above], singer/guitarist of the…

The Collapse Board interview – Samuel Miers (School Girl Report)

“I use nails under the strings on one song. Spanners, a peg, a drill, a headband and a bracelet. They all give different sounds to each song.”…

The Collapse Board interview – Super Wild Horses

Super Wild Horses make me dance. All swinging shoulders and bouncy knees.…

An Oral History Of Crime

I thought, since we were called CRIME, we should feature famous criminals on our posters! First, a series of war criminals, then gangsters, then serial killers, and so on. So, I thought we should start off with Hitler...…