Song of the Day #695 – Carriages
Sometimes the best moments, the best ways to find something new, the best opportunities in which you find yourself surprised and wonder how you’ve missed something so good, happen when a friend says, “Hey, check this out.” Instantly you fall all over again. Your head is over your heels, you’ve fallen head over heels, you […]
The return of Everett True | 117. The Wendy Darlings
This one has a little of ace unforgotten post-Riot Grrrl 90s U.K. indie band Prolapse about its intro before lapsing into full-on pop. It reminds me of former Brisbane sweethearts The Go Violets in its shouty melody, but that’s natural. Enthusiasm over ability, any day. Actually, my bad. Prolapse were way more shouty and turbulant […]
The return of Everett True | 116. Charli XCX
Pouting white bread pop star Charli XCX has made less than an impression on me so far, but if you think I can resist this – a Josie And The Pussycats-style punk cover of one of 2014’s finest pop songs – then you are crazy. There’s such energy, such an infectious delight. The handclaps! The spontaniety! The […]
The return of Everett True | 115. deux furieuses
My theory has always been that mediocre music – when framed correctly – can influence good, or even great music. The group I always cite here is Jesus And Mary Chain, which is somewhat unfair seeing as how they only turned into a self-parody after the second album, which is two more good albums than most manage. […]
The return of Everett True | 114. Hierophants
I come to this via a slightly circuitous route. Some fine, nervy No Wave from Melbourne. Or is it some jumpy New Wave from Geelong? Doesn’t matter either way. You either understand my terminology – and if you’re here, there’s every chance you will. Or you don’t. But then, if you don’t, you’re probably not […]
The return of Everett True | 113. Adi Ulmansky
We had a discussion on Collapse Board recently, about whether our preference for women making a more immediate/emotional type of music helps propagate stereotypes of women in music. No. No, I don’t think it does. Professor Ben Green puts it like this: A reader might see that Collapse Board has certain interests. One of those interests is […]
The return of Everett True | 112. Kali Uchis
She got it going on. She got it going on. She chill. She retro, in her sleek shiny future-modernist way. She chill. She got two mixtapes, 30+ songs for immediate download. Free, buzz. She got it goin’ on. She got connection with Tyler, The Creator but we got no issues. She from Columbia. She chill. Listen to […]
The return of Everett True | 111. Law
Late night listening. Spooked. Stunning live, no doubt. You wouldn’t know what the hell had happened. I might leave this to your imagination. Too many conflicting images. Too many sounds occuring simultaneously. A time portal. A trap. Multiple possibilities, stunted and caught, trapped, in the headlight of time. You and me, sister. You and me. […]
The return of Everett True | 110. Colleen Green
Pop music. It wears a colourful paper clown hat and looks doleful. Pop music. It enjoys staring down all the fancy sweetmeats in that baker’s shop you never go into. Pop music. It chugs down beer and doesn’t forget to wipe its mouth afterwards. Pop music. It has a sardonic grin on its face, and […]
The return of Everett True | 109. Childish Gambino
I don’t know how much I like this song. It sounds a bit like Pharrell to me, with a couple of weird freaky dropping-out-of-the-middle bits, similar to the stuff XTC used to throw into their songs just to prove to us that we knew that they knew that they’re intelligent. (Don’t get me wrong. I like […]
