SOLIDARITY TIME – Word Up for Joanna Gruesome

Today, kids, we are going to stand up and applaud. So Drowned in Sound interviewed Alanna McArdle lately. It’s an innocuous, friendly chat really, with ordinary journo-to-band questions about songwriting, live performances vs. recording, “the volatile state of guitar music” (which both interviewer and interviewee agreed was a load of BS), the huge corporate sham […]
Tunabunny in the UK, part three
I have to be at work in less than 12 hours. Throughout the day people will keep asking me if I had fun in England. I don’t even know how to begin to answer that question.
PhD research issue #3. You write to make an impact: A tribute to Steven Wells (re-post)
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Engage, argue, inform, irritate … but above all entertain.
another conversation about music criticism on web 2.0
Everything is hidden in plain sight.
Good music writing or douchebag trolling?
web 2.0 has seen a shift in perception that anything that isn’t recommendation (or polite) is trolling
Collapse Board: The First Year
We’re the Millwall of the Australian music media; no one likes us and we don’t care.
You write to make an impact: A tribute to Steven Wells (re-post)
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Engage, argue, inform, irritate … but above all entertain.
a 10 point survival guide for music critics in web 2.0
You are a critic. Not a fan. Not a blogger. Not a hack. A critic.
“I have few regrets. Writing for Fasterlouder is one of them.”
I was intrigued to read the following words from QLD journalist Sophie Benjamin on her blog …