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 Lee Adcock

SOLIDARITY TIME – Word Up for Joanna Gruesome

SOLIDARITY TIME – Word Up for Joanna Gruesome

Today, kids, we are going to stand up and applaud. So Drowned in Sound interviewed Alanna McArdle lately. It’s an innocuous, friendly chat really, with ordinary journo-to-band questions about songwriting, live performances vs. recording, “the volatile state of guitar music” (which both interviewer and interviewee agreed was a load of BS), the huge corporate sham […]

 Scott Creney

Tunabunny in the UK, part three

I have to be at work in less than 12 hours. Throughout the day people will keep asking me if I had fun in England. I don’t even know how to begin to answer that question.

 Everett True

PhD research issue #3. You write to make an impact: A tribute to Steven Wells (re-post)


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Engage, argue, inform, irritate … but above all entertain.

 Everett True

another conversation about music criticism on web 2.0

Everything is hidden in plain sight.

 Everett True

Good music writing or douchebag trolling?

web 2.0 has seen a shift in perception that anything that isn’t recommendation (or polite) is trolling

 Everett True

True on Morley

The commentary around the article is frequently more consequential than the article itself.

 ed

Collapse Board: The First Year

We’re the Millwall of the Australian music media; no one likes us and we don’t care.

 Everett True

You write to make an impact: A tribute to Steven Wells (re-post)


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Engage, argue, inform, irritate … but above all entertain.

 Everett True

a 10 point survival guide for music critics in web 2.0

You are a critic. Not a fan. Not a blogger. Not a hack. A critic.

 Everett True

“I have few regrets. Writing for Fasterlouder is one of them.”

I was intrigued to read the following words from QLD journalist Sophie Benjamin on her blog …