Collapse Board Whatever happened to the music press?

Added on December 6, 2012 Mike Turner Alabama Shakes , Animal Collective , Ariel Pink , Bats For Lashes , Beach Fossils , Beach House , best of 2012 , Captured Tracks , Clinic , Cold Pumas , Deerhoof , DIIV , Dirty Projectors , Dum Dum Girls , Grimes , Grizzly Bear , Jack White , Japandroids , La La Vasquez , Laetitia Sadier , mac demarco , Micachu and the Shapes , Mike Turner , Minutemen , Mumford & Sons , Naomi Punk , New Order , Of Montreal , Passion Pit , Pixies , Shins , Tame Impala , Tears For Fears , The Bastards of Fate , The School , Twin Shadow , Wild Nothing , Windowspeak , Yo La Tengo

2012 & the Abysmal Company You Kept

Dum Dum Girls had a massive year — the Coke Zero of the indie world. You know, same taste as the original formula but not as filling.

Added on October 31, 2012 ed Ariel Pink , Bat For Lashes , Cat Power , Justin Edwards , media , music magazines , nme.com , Passion Pit , Pitchfork

A Week in the Life of NME.COM – The Edited Highlights

NME.COM takes churnalism to new depths while Pitchfork’s Cover Story shows how to do web publishing

Added on June 27, 2012 Scott Creney Abba , Can , Morrissey , Mute , Passion Pit , Scott Creney , The Lost Tapes , The Smiths

Can – The Lost Tapes (Mute)

Six months ago I wrote that Can music was a universe. Hell, it’s way better than that. It’s a better version of our universe.