Realpop – An Introduction
Once the corporate reality of Realpop is internalised, then any criticism of pop which includes a critique of the corporate nature of pop music can be dismissed as an asinine act of naivety and obviousness.
We’re a bit late this year (the story of our life) but it’s time…
Unaddressed allegations of racism, misogyny, violent abuse and bad behaviour. There’s a problem with…
You break up with your ex. You like them, but they’ve pushed the limits…
Peter Hook is an English musician, songwriter, and bassist best known as a founding…
Back in 2010, Mess+Noise interviewed Mick Turner as part of its ‘Icons’ series of…
When we spoke to Lydia Lunch ahead of her 2024 Australian tour, we came…
The last show I went to in 2024 was a reformed (of sorts) 1970s’…
Sex Pistols featuring Frank Carter play a headline show at Fortitude Music Hall in…
The Saints ’73-’78, featuring Ed Kuepper and Ivor Hay from the Saints’ original line-up,…
BRIGHTON KOMEDIA: I have never felt very comfortable with my body. This feels like home.…
The opening song sounds like My Bloody Valentine. You may well be enthused by…
Lambrini Girls’ debut album, Who Let the Dogs Out is out now on City…
Good news: Hinds are back!!! Bad news: They’ve lost a couple of the band…
Remember Cults? Back in Collapse Board’s glory days of 2011, we ran 10 reviews…
Once the corporate reality of Realpop is internalised, then any criticism of pop which includes a critique of the corporate nature of pop music can be dismissed as an asinine act of naivety and obviousness.