We’re a bit late this year (the story of our life) but it’s time…
Unaddressed allegations of racism, misogyny, violent abuse and bad behaviour. There’s a problem with…
You break up with your ex. You like them, but they’ve pushed the limits…
Photo by Luz Gallardo Kid Congo Powers rose to prominence in the punk and…
Photo: Matthew Reeves Formed in 1977, the Psychedelic Furs melded punk energy with atmospheric…
Glen Matlock is a British musician, songwriter, and producer, best known as the original…
Tropical Fuck Storm bring their Cellophane Honeymoon mini-festival to Brisbane’s Triffid, with C.O.F.F.I.N, Cool…
The Damned play their final show in Brisbane with their classic early 1980s line-up…
As part of an AV Triple Bill at the Ohm Festival at Brisbane’s Powerhouse,…
Once I was blind, now I can see Once I was blind but now…
BRIGHTON KOMEDIA: I have never felt very comfortable with my body. This feels like home.…
The opening song sounds like My Bloody Valentine. You may well be enthused by…
Photo: Sian Stacey The big music “news” in Australia in the last couple days…
Photo: Eleanor Petry Well, this is just great. On first listen it reminds me…
Photo by Anita Shao Something from the open browser tab collection that I’ve been…
There is snow, and there are words. This lengthy, seven-track record, successor to this year’s deck-clearing Director’s Cut, is an album that loves language every bit as much as it loves snow; you can feel delight soaking through the syllables.
I’m not a particular fan of concentrating too hard when it comes to music
