We’re a bit late this year (the story of our life) but it’s time…
Unaddressed allegations of racism, misogyny, violent abuse and bad behaviour. There’s a problem with…
You break up with your ex. You like them, but they’ve pushed the limits…
Photo by Luz Gallardo Kid Congo Powers rose to prominence in the punk and…
Photo: Matthew Reeves Formed in 1977, the Psychedelic Furs melded punk energy with atmospheric…
Glen Matlock is a British musician, songwriter, and producer, best known as the original…
Codeine’s first ever Australian tour ends with a show at Brisbane’s Stranded, with support…
Tropical Fuck Storm bring their Cellophane Honeymoon mini-festival to Brisbane’s Triffid, with C.O.F.F.I.N, Cool…
The Damned play their final show in Brisbane with their classic early 1980s line-up…
Once I was blind, now I can see Once I was blind but now…
BRIGHTON KOMEDIA: I have never felt very comfortable with my body. This feels like home.…
The opening song sounds like My Bloody Valentine. You may well be enthused by…
Photo: Sian Stacey The big music “news” in Australia in the last couple days…
Photo: Eleanor Petry Well, this is just great. On first listen it reminds me…
Photo by Anita Shao Something from the open browser tab collection that I’ve been…
Once the corporate reality of Realpop is internalised, then any criticism of pop which includes a critique of the corporate nature of pop music can be dismissed as an asinine act of naivety and obviousness.
In these end days of the overlong, the indulgent, the much wrought and the expansive, Polly’s clarity, brevity, strength and depth are much to her credit
