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 Lee Adcock

Scraps – Electric Ocean (Fire)

Scraps – Electric Ocean (Fire)

Sarah: Is Scraps a euphemism for anything? Laura: Not really – its just crap between two s’. One must always be wary of “bedroom projects” these days, since any dullard with a computer and a sound-generating device can market themselves as a musician. Scraps, at the very least, is not a dullard – say how-de-do […]

 ed

The Friday Afternoon Playlist, 28.02.2014

The Friday Afternoon Playlist, 28.02.2014

So Soundwave came and went and the testosterone levels in Brisbane have returned to normal levels (at least as normal as you can get in Queensland).  Doing  some late, after-the-event reading-up about the festival, it was interesting to see, especially after last week’s playlist, that a Japanese stage was being rumored this year. This would […]

 Ben Green

Live Review: Wire, Per Purpose, Multiple Man @ The Zoo, Brisbane, 19.02.14

Live Review: Wire, Per Purpose, Multiple Man @ The Zoo, Brisbane, 19.02.14

The doors are closed when I arrive.  This is because the gig is on the other side of town.  I’ve wrongly assumed Wire would play at The Hi Fi, a larger, air-conditioned venue that’s hosted a series of older/reformed bands lately.  Instead they are playing The Zoo, a smaller, hotter venue that tends a little […]

 ed

The Friday Afternoon Playlist, 21.02.2014

The Friday Afternoon Playlist, 21.02.2014

The annual gathering of angry men with tattoos and long hair (i.e. Soundwave) starts this weekend with the Brisbane leg at the RNA Showgrounds on Saturday. A quick and dirty unscientific study (we looked at the profile pictures on Soundwave’s website and counted up band members) shows 318 musicians playing the festival of which a […]

 ed

The Collapse Board Interview | Wire

The Collapse Board Interview | Wire

Since first forming in 1976, and over the course of 13 studio albums, Wire have remained perennial outsiders.  While their first three albums – Pink Flag (1977), Chairs Missing (1978) and 154 (1979) – are regarded as classic post-punk albums, the band themselves have never been one to reflect on labels, with each album showing […]

 Lee Adcock

Sky Ferreira – Night Time, My Time (Again, but this time with special guest stars EMI and The Needle Drop)

Sky Ferreira – Night Time, My Time (Again, but this time with special guest stars EMI and The Needle Drop)

Yes, Scott already wrote a most righteous review for this album. Yes, Everett also championed her via a SOTD feature. And yes, I also adore Sky. So why is this review necessary? Well, to begin with, EMI has finally blessed Australia with the release of Night Time, My Time, with the UK to follow next […]

 ed

The Friday Afternoon Playlist, 14.02.2014

The Friday Afternoon Playlist, 14.02.2014

BITCHRATCH – Male Eruption Even living in a small city like Brisbane it’s difficult to keep up to date with everything that’s going on and depressingly easy to completely miss amazing bands. A friend posted this on Facebook last night and in the last 12 hours they’ve possibly become my favourite new Brisbane band. Bitchratch’s […]

 Lee Adcock

Cassette of the Week #4 – Smarty

Cassette of the Week #4 – Smarty

No more garage rock tapes, I said to myself. (I talk to myself a bunch. Don’t you?) Since I invented this feature, I’ve been picking through Wuxtry’s cassette cabinet, in hopes of finding something new and exciting to write about. I gambled on two tapes that lacked descriptions – only to find mostly non-descript, “authentic” […]

 ed

In Photos: Blank Realm + Four Door + Lucy Cliché + Sewers + Thigh Master @ The Underdog, 08.02.2014

In Photos: Blank Realm + Four Door + Lucy Cliché + Sewers + Thigh Master @ The Underdog, 08.02.2014

Blank Realm launch their Grassed Inn album at the Underdog in Brisbane, with support from Four Door, Lucy Cliché, Sewers and Thigh Master.

 ed

The Friday Afternoon Playlist, 07.02.2014

The Friday Afternoon Playlist, 07.02.2014

Over the last few weeks I’ve been putting these posts together I’ve discovered that my inbox is pretty quiet Monday to Wednesday and then gets inundated by press releases on Thursday. From this I can only deduce that the music industry spends Monday recovering from the weekend, thinks about work on Tuesday, writes its press […]