For Chairlift’s third studio album Moth (2016), Caroline Polachek and Patrick Wimberly build on the retro-pop sound they established on Something (2012). There is definitely a familiar quality to this album from the onset, yet new are ideas are quickly established that serve to give the tracks a more theatrical and sometimes jazzy quality. “Polymorphing” […]
Sparky, desperate, rough-edged, delirium-fuelled, defiant, shouty boy pop. There’s a place for it, you know.