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 Matt O'Neill

An Excessively Exhaustive Look at 10 Interesting Pieces of Music from 2011 | Matt O’Neill

At the risk of sounding overly hyperbolic, I think the best – or, at the very least, most interesting – records stand outside time.

 Matt O'Neill

Remembering The CD

Mediums are like genres. They don’t die. They just stop being cool.

 Matt O'Neill

Is Collapse Board worth saving?

Music is a messy, disgusting, frustrating, fucking stupid, illogical art-form

 Matt O'Neill

THE WTF REVIEW: Ball Park Music – Happiness And Surrounding Suburbs (Stop Start/EMI)

Ball Park Music’s debut album is – and this is as much a compliment as an insult – musical premature ejaculation.

 Matt O'Neill

EXERCISE MUSIC II: THE MIX TAPES

You ratchet up the intensity with breakbeat and raver music. This is absinthe and lemonade.

 Matt O'Neill

thoughts on the new Washington song, ‘Holy Moses’

‘Holy Moses’ is potentially the single best song Washington’s ever released.

 Matt O'Neill

The REAL Collapse Board Manifesto

We at Collapse Board understand that the metaphysical oesophagus to our figurative gut of primal intuition has been clogged with the hamburger of knowledge.

 Matt O'Neill

NAPT – Emotion EP (Red Sugar)

NAPT seem to have grown tired of experimenting with structure and layers and have instead decided to try and create something novel by messing with the fundamental sounds of their work.

 Matt O'Neill

Exercise Music I: Fast Music, Slow Walky

I’ve always shied away from dubstep records because spaced-out mid-tempo grooves are about as conducive to stimulating exercise as a warm glass of milk

 Matt O'Neill

Africa HiTech – ‘Out In The Streets’ (Warp)

entranced, volatile, enraged, elevated, attenuated, aggressive, aroused