Back when Brisbane still had a culture of protest | Prehistoric
By Tiarney Miekus Thirteen hot nights in a row The cops drive past and they move slow A million people staying low With mangoes ripe, who needs to grow? I don’t want it let down My own hopes for this town It’s so hard to get around Lots of cars but not much sound In town […]
The return of Everett True | 62. The UV Race
Let me quote The Jam at you. “Life is timeless, days are long when you’re young/You used to fall in love with anyone/Any guitar and any bass drum.” That’s how it works, right? You see a band, you fall in love for a minute, an hour, a week, a year… whatever it takes. It’s even […]
The Collapse Board Interview: Ed Kuepper
In a way that I can’t quite explain, Ed Kuepper seems to epitomise everything best in Australian music and perhaps everything best in some bigger philosophy of music. The fact that he’s gone through so many musical stages over such a long time span isn’t necessarily the impressive part, but rather that none of his […]
Ed Kuepper @ Brisbane Powerhouse, 14.09.13
Dynamics are the key and it’s only if you really goddamn feel the song you’ve written, understand it with every fibre, does it all instinctively flesh itself out in a live scenario.
Oh man. You dicks.
You fucking dicks.
The five rules of rock
If it was that easy to get right, don’t you think everyone would be doing it?
A biography of Ed Kuepper, written in 2000
In the early 90s, a select band of music critics at Melody Maker would regularly compete with one another to find fresh ways to praise the moody Australian genius.
an interview with Chris Bailey (The Saints), conducted for All Times Through Paradise
Growing up in a big city, you’re tied to a scene. In the backwoods, you tend to be much more experimental.
We Got Wasted, Things Got Wild
A lyricist with a a razor-sharp tongue held firmly in cheek and a consummate vocalist supported by a fantastically talented band that play the best of raw, distorted, politically-driven punk rock music.
