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 Jodi Biddle

Nicki Minaj – Barbie’s Back (mixtape)

One of the biggest things I struggle with regarding hip hop is lyrical content. A pervasive preoccupation with self-aggrandisement does little for me given the typical scope of a rapper’s goals (money, fame and ‘bitchez’).

 Matt O'Neill

Exercise Music I: Fast Music, Slow Walky

I’ve always shied away from dubstep records because spaced-out mid-tempo grooves are about as conducive to stimulating exercise as a warm glass of milk

 Cheri

Metronomy + Django Django @ La Cigale, Paris, 04.05.11

The sound of a theatre full of enthused Parisians is no mean feat, and Metronomy certainly seem to have instilled a sense of ‘Rule Britannia’ in this sweat-sodden throng as they heartedly cry out in a full crowd sing-along.

 Everett True

15 Most Read Entries on Collapse Board, 06.05.11 – 12.05.11

“How am I going to feed my family now? How am I going to afford my casual drug habit? Chris Martin must pay!”

 Everett True

An open question to Brisbane

Do I have to suspend critical judgment if I’m dealing with anything local (or even national)?

 Everett True

I want to dance like Jonathan Richman

I want to dance like Jonathan Richman

I want to dance like Gene Vincent and his Blue Caps

 Carmen Juarez

Thoughts on Music Promotion and Production in Brisbane: or Why Can’t Brisbane Get a Leg-Up?

“What does it say about a place when the cultural capital you’re producing is fucking I Heart Hiroshima. That’s unacceptable.”

 Everett True

Song of the day – 345: Jesse Garon And The Desperadoes (the greatest song of the 80s)

It was the greatest song then, and remains the greatest song now.

 Everett True

REVIEWED IN PICTURES: An Horse – Walls (Mom + Pop/Shock)

by Everett True

 Sophie

Males making a career of being blue: masculinity and moroseness in alternative music

Why is that male-fronted bands are more easily notorious for emotionality than any similarly visceral girl-fronted bands?

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